Mustafa Jamal Al Din Square
Cultural Audio guide

Mustafa Jamal Al Din Square

Karkh
About

Mustafa Jaafar ‘Inayat Allah Jamal Al Din (1926 – 22 October 1996) was a prominent Iraqi Shi’a scholar, poet, and writer. He was born in the village of Al Mu’minin, part of the Suq Al Shuyukh district in Dhi Qar province, and grew up in a scholarly religious family one of the most renowned Najafi families that produced many scholars and intellectuals inside Iraq and abroad.

He began his education in the village kuttab schools, then moved to Karmat Bani Sa‘id to complete primary school up to the fourth grade. Afterward, he migrated to Najaf to study religious sciences, where he completed the stages of muqaddimāt and sutooh, then advanced to the bahth Al khārij level. He distinguished himself among his peers with his sharp intellect and early brilliance, to the extent that he wrote the lecture notes (taqrirāt) of his teachers in jurisprudence and legal theory.

In 1962, he was appointed a teaching assistant at the College of Jurisprudence in Najaf after placing first among the students.

In 1969, he enrolled in the master’s program at the University of Baghdad.

In 1972, he earned his Master’s degree with a grade of “very good.”

After 1972, he was appointed professor at the College of Arts – University of Baghdad, where his reputation spread throughout Iraq and the Arab world. In 1979, he earned a PhD with an “excellent” grade in Arabic language studies.

Mustafa Jamal al-Din had been a naturally gifted poet since his middle school years. He refined his talent through religious study and a deep passion for literature. Throughout his career he became acquainted with some of Iraq’s great modern poets, including Badr Shakir Al Sayyab, Abdul Wahab Al Bayati, Muhammad Mahdi Al Jawahiri, and Nazik Al Malaika.

His poetry is characterized by a blend of patriotism and love themes, and by a strong human emotional voice toward daily experiences and social concerns—qualities that gave his poems a powerful presence.

Poet Falih Al Hujja, in his book Literature and Art, describes him as:

“A giant of modern Najafi poetry.”

Among his most famous sayings reflecting his independence and literary integrity is:

“I lived among the kings, rulers, presidents, and influential men of Iraq… yet I never praised any of them.”

Mustafa Jamal Al Din died in Damascus in 1996 after a long life of scholarship, poetry, and literature, leaving behind an indelible mark on Iraqi and Arab culture.

From his famous poem about Baghdad:

Baghdad, whenever the ages clashed upon you,

they withered while the leaf of your life stayed green.

The world passed you by, your mornings radiant…

and when darkness fell, the face of your night was moonlit.

Hard were the events that struck you, and harsher still…

for your endurance of their harm was always greater.

Audio story

The Man Who Never Praised a King... Was Praised by Baghdad.

3 Min · Arabic · English

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    Baghdad’s Verses Monument

    The Baghdad’s Verses Monument is considered one of the most prominent modern artworks in the capital, Baghdad. It was created by the renowned Iraqi sculptor Mohammad Ghani Hikmat and unveiled in 2013 as part of the final series of works commissioned to him by the Mayor of Baghdad in 2010, within a broad cultural project to beautify the city. The monument is a copper fountain with an oval shape, standing five meters high including its base. The artwork is composed of a cluster of Arabic letters and words taken from a poem by the Iraqi poet Mustafa Jamal Al Din, titled “Baghdad Is Stronger Than You”. The letters are gathered and compressed in an artistic manner to form a golden spherical structure floating in the center of the fountain giving the impression that the words have transformed into a celestial body suspended above the water. Within the composition, observers can read the famous poetic line: Baghdad, whenever the ages clashed upon you, they withered while the leaf of your life stayed green. This work represents a distinguished example of sculpture inspired by the Hurufiyya movement. Although Hurufiyya is often associated with painting and book art, it has extended to ceramics and sculpture as well. This monument stands as a notable example of the movement, with Arabic letters molded through pressure and transformation to form a cohesive visual body that embodies the beauty and spirit of Arabic calligraphy. Unlike many public landmarks in Baghdad that were subjected to looting or damage after 2003, this monument survived and preserved both its beauty and artistic significance standing as a testament to the endurance of culture and aesthetic expression amid challenging circumstances.

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